BEGIN:VCALENDAR VERSION:2.0 PRODID:-//topografije zvoka / topographies of sound - ECPv4.6.23//NONSGML v1.0//EN CALSCALE:GREGORIAN METHOD:PUBLISH X-WR-CALNAME:topografije zvoka / topographies of sound X-ORIGINAL-URL:https://topografijezvoka.si X-WR-CALDESC:Events for topografije zvoka / topographies of sound BEGIN:VEVENT DTSTART;TZID=Europe/Ljubljana:20190918T220000 DTEND;TZID=Europe/Ljubljana:20190918T230000 DTSTAMP:20191212T002134 CREATED:20180827T062623Z LAST-MODIFIED:20190916T103417Z UID: SUMMARY:URŠKA POMPE: Filigranske niti DESCRIPTION:URŠKA POMPE: Filigranske niti\nSkladbe Urške Pompe ne prinašajo številnih tonov\, a so kot akustični pojavi izbrušene stvaritve. Pogosto izhajajo iz poezije in z zamejenimi zvočnimi sredstvi ustvarjajo krhke\, a pomenljive napetosti. Urška Pompe je skladateljica miniaturnih gest\, filigranov\, ki jim v svoji pogosto tihi\, prosojni glasbi pušča dovolj zvočnega prostora. Zato jo najpogosteje slišimo kot avtorico del za manjše komorne zasedbe in solističnih del\, podoben način nizanja barv in ustvarjanja napetosti med drobnimi niansami pa najdemo tudi med redkimi deli za orkester (skladbi Near in Šir\, ki združujeta zven saksofona in orkestra). Na Topografijah zvoka se bomo z avtorico pogovarjali\, njeni deli Soj za flavto in klarinet in TR e e s za bas flavto in bas klarinet pa bosta izvedli Anja Brezavšček Clift in Valentina Štrucelj. \nUrška Pompe (1969) je diplomirala na ljubljanski Akademiji za glasbo iz kompozicije v razredu profesorja Daneta Škerla\, podiplomski študij pa je nadaljevala na Akademiji za glasbo Franz Liszt v Budimpešti (kompozicija\, komorna igra in solfeggio) in pozneje na Akademiji za glasbo v švicarskem Baslu (kompozicija). Izpopolnjevala se je na mnogih mojstrskih tečajih uglednih mentorjev\, med katerimi naj posebej omenimo Györgya Kurtága\, Briana Ferneyhougha in Jonathana Harveyja. Od leta 1997 je predavateljica na Akademiji za glasbo v Ljubljani. \nKoprodukcija: Radio Slovenija \nURŠKA POMPE: Filigree threads\nUrška Pompe’s compositions do not convey many tones\, but – as an acoustic phenomena – they are refined creations. They often stem from poetry and create fragile but meaningful tensions with limited sound means. Urška Pompe is a composer of miniature gestures\, filigrees that leave plenty of sound space in her often quiet\, translucent music. This is why she is most often heard as an author of works for smaller chamber ensembles and solo works\, and a similar way of colour stringing and creating tensions between refined nuances can also ne found in her rare works for the orchestra (compositions Near and Šir\, which combine the sound of saxophone and an orchestra). On the festival\, we will immerse in the composer’s thought and listen to her pieces Soj and TR e e s in interpretation by Anja Brezavšček Clift and Valentina Štrucelj. \nUrška Pompe (1969) studied composition with Dane Škerl at the Ljubljana Academy of Music\, and continued her postgraduate studies at the Franz Liszt Academy of Music in Budapest (composition\, chamber music and solfeggio)\, and later at the Basel Academy of Music (composition). After that she attended a series of masterclasses by renowned mentors\, including György Kurtág\, Brian Ferneyhough and Jonathan Harvey. Since 1997 she is a lecturer at the Ljubljana Academy of Music. \nCo-production: Radio Slovenia \n URL:https://topografijezvoka.si/event/urska-pompe/ LOCATION:Radio Slovenija – program Ars ATTACH;FMTTYPE=image/jpeg:https://topografijezvoka.si/wp-content/uploads/2018/08/Urska_PompeC_CB.jpg END:VEVENT END:VCALENDAR